Build your own periodical

Scott McLemee, the Intellectual Affairs blogger at Inside Higher Ed, recently shared with readers his method for saving articles he finds online to his e-reader. The idea, as he explains, is to take advantage of your e-reader’s strengths (text display, large storage capacity, and portability) and start hand-crafting your own library. Think beyond the Kindle store or Sony store and explore the world of free books (books in the public domain) through Project Gutenberg, Internet Archive and other repositories of texts made available for free. And once you get the hang of it (and you’ve finished reading the 33,000 books in PG’s archive), then think creatively about those long articles you find online.

I don’t know about you, but if an article is more than 1000 words, I won’t read it online. At least, I won’t read it on a backlit screen. For years, this has meant that I print out longer articles. In his blog post, McLemee shares how he saves those articles to his e-reader.

Pitfalls of a PDF on an e-reader
PDF on a Sony Reader
font at normal size
PDF (enlarged text) on a Sony Reader
font enlarged

The method he proposes works: basically highlight the text you find, copy it to Microsoft Word, clean up any erroneous formatting, and export the Word doc as PDF. At this point you load the PDF onto you e-reader. Just about every e-reader can handle a PDF, so this is a safe method to recommend.  But there are limitations to using PDFs on an e-reader.

E-readers are designed to present text, at their best, in other formats. Amazon’s Kindle uses the azw or mobi format, and the standard for all other e-readers is called epub. These e-reader file formats are more similar to HTML or even XML than PDF in that the font size, margin adjustment, text kerning, and other options are left flexible. This way, whatever e-reader you use can optimize the text for its screen. PDF, on the other hand, is a format designed to lock down as many of those options as possible. The result is that, while I can view a PDF on my e-reader, line breaks and page breaks often appear at weird places in the screen, especially if I try to enlarge the text. If I enlarge the text of an epub file, however, the result is just larger text – the line breaks and page breaks readjust seamlessly to the new font size.

The other limitation of reading PDFs on an e-reader is that (often), you cannot annotate a PDF. My Sony Reader allows me to highlight passages and take notes inside epub documents. So, I can highlight a passage of good writing in a book. I can also double-tap a word to look up its definition. The Kindle handles annotations similarly. But highlighting passages and looking up definitions is not an option with PDFs.

For these reasons, it would be better to take those articles you want to read and load them onto your e-reader in the native file format your e-reader wants. It would also be nice if you could skip the step of copy-and-pasting the text into MS Word, where you then have to clean up the erroneous formatting.

Luckily, there is an easier way.

Set up a free account with Instapaper. Instapaper is a service that stores the articles you want to read. Its beauty is that it strips the advertisements, odd formatting, and images from the article and stores only the text to your account.

On Instapaper’s website, there are download options on the right side of the page (see image below).

If your e-reader is a Kindle, you can link your Instapaper account with your Kindle, and your Kindle can fetch your Instapaper articles wirelessly.

If your e-reader uses epub format, you can download your articles manually as epub files. Or, if you are a Mac user, you can use Ephemera to fetch your articles and load them onto your e-reader automatically.

Using Instapaper, your articles appear on your e-reader in the native file format, allowing you resize fonts, highlight passages, and look up words the same as if the article was a book purchased through the Kindle or Google ebook store.
Add Instapaper articles to ebook readers

Originally posted at DIY Ivory Tower

 

The Quarter Acre Farm and Farm Fresh NC

From The Avid Reader (local Davis bookshop)

From Amazon

From Borders
The Quarter-Acre Farm: How I Kept the Patio, Lost the Lawn, and Fed My Family for a Year

Two friends have recently published books that feed right into (pun intended) the de rigueur locavore food craze sweeping the nation. The authors are on opposite coasts, but I couldn’t help noticing the similarities in their projects.

In Davis, California, Spring Warren had the idea to make her quarter-acre suburban yard as productive as possible to see if she could grow 75 percent of her family’s food over the course of a year. You’d be amazed what you can grow in such small dimensions. Within the space that one normally thinks about gardening, Spring is growing olives, potatoes, sweet potatoes, broccoli, artichokes, and I don’t really know all what else. Sipping coffee in her backyard one summer morning was enough to impress upon me the dedication her project required. It was also enough to justify calling her gardening efforts farming. Her year-long project is the story she tells in The Quarter Acre Farm: How I Kept the Patio, Lost the Lawn, and Fed My Family for a Year.

From a review,

Somehow this book manages to be an excellent “how to” guide, an extremely funny diary of the author’s failures and successes, and a very readable instruction manual all at once. It will make you feel that producing some portion of your own food is an achievable and worthy goal no matter where you live.

From The Regulator
(local Durham bookshop)
From Amazon

From Borders
Farm Fresh North Carolina: The Go-to Guide to Great Farmers' Markets, Farm Stands, Farms, Apple Orchards, U-picks, Kids' Activities, Lodging, Dining, Choose-and

Back in Durham, North Carolina, Diane Daniel spent a year traveling to the farthest reaches of North Carolina. Over beers on my back porch, I heard some of her stories of traveling from farm to farm and learning as much as she could absorb about the places that serve up fresh vegetables in the Tarheel state’s weekend farmer’s markets and supply the grocery stores of the southeastern United States. Her book’s title is a mouthful — Farm Fresh North Carolina: The Go-To Guide to Great Farmers’ Markets, Farm Stands, Farms, Apple Orchards, U-Picks, Kids’ Activities, Lodging, Dining, Choose-and-Cut Christmas Trees, Vineyards and Wineries, and More. But, I guess that’s the point; it’s a mouthful of some of the best of North Carolina’s agricultural gifts.

From a review,

In the first statewide guidebook of its kind,Farm Fresh North Carolina takes readers on a lively tour of more than 425 farms, produce stands, farmers’ markets, wineries, children-friendly pumpkin patches and corn mazes, pick-your-own orchards, restaurants, bed and breakfasts, agricultural festivals, and more, all open to the public and personally vetted by travel writer Diane Daniel.

A further similarity shared by the authors, one that comes out in both books, is that both Spring and Diane are great writers. Their books strike that balance between being useful and being a joy to read. Which makes you as likely to carry the books around with the dog-eared pages of a relied upon reference volume as you are to curl up with them in a chair on a rainy weekend.

 

no DHBC edition

Yesterday, a new edition of the Digital Humanities Blog Carnival was scheduled to appear. And yesterday came and went without any new edition.

Why?

We received 0 submissions.

If you would like to see the DHBC continue, please send submissions here. They are accepted at any time, and can be published in the next scheduled edition.

In the meantime, check out MIT’s Simile Project for a look at some of the new (and beta) data-digging tools that might be useful to humanities scholars.

 

The Dead Women of Juárez, by Robert Andrew Powell

The Dead Women of Juárez (Kindle Single)The Dead Women of Juárez by Robert Andrew Powell

My rating: 2 of 5 stars

Once I had the patience to figure out how to strip the DRM from a Kindle Single so that I can read long-form journalism on my Sony Reader, a new world of ebook reading has opened up to me. The Dead Women of Juárez was my first purchase.

I chose this title for two reasons. First, I was browsing the Kindle Singles, since I’m intrigued by the new collection. I love to read journalistic stories that go into more depth than is usually allowed in print. Second, after reading Roberto Bolaño’s 2666, a novel of five stories that revolve around the murders of women in Santa Teresa, Mexico (a thinly disguised fictional version of Juárez), I have wanted to learn more. The murders, called femicides, have been taking place since the 1990s. As Powell’s story points out, the town’s legendary problem with what appears to be horrific gender discrimination is prone to exaggeration.

If the typos and grammatical mistakes (“pouring over documents” “cites along the border”) don’t distract you from this amateurish attempt at journalism, the author’s attempt to mix his personal (and minimally reflective) story with the story of the violent horrors of Ciudad Juárez makes this Kindle Single read more like an extended blog post than a book. And, I don’t pay to read blog posts.

And with the lines “I feel so sad thinking about it. It is so utterly sad,” the author gives up trying to hold together the reader’s focus, concluding the “book” without much by way of a conclusion.

I give it two stars (instead of just one) because the author makes one compelling point in his search for the truth behind the femicides of Juárez (the murders of women that reportedly are the result of Mexican machismo and gender discrimination). It is this, “the problem is the life itself in Juarez, across the board, has been devalued.”

View all my reviews

 

The Cyclotrope

The Cyclotrope from tim Wheatley on Vimeo.

 

Children of the Outer Dark: The Poetry of Christopher Dewdney

Children of the Outer Dark (LP)Children of the Outer Dark by Christopher Dewdney

My rating: 4 of 5 stars

Not often is poetry both easy to read and insightful. Christopher Dewdney is not your common poet. He writes as perceptively and carefully as an autodidact. Yet, he also writes on topics as complex as consciousness and cloud chambers.

The pretentiousness, distant language and tone of the editor’s (Karl E. Jirgens’s) introduction are out of step with both the accessibility of Dewdney’s poetry and the purpose of the series into which this volume falls. The poems selected for this collection span Dewdney’s career and showcase his variety of interests, both scientific and aesthetic.

Something odd: my epub copy has a book cover reading “Children of the Further Dark,” and for a few moments, I was unsure of the actual title of the book.

View all my reviews

 

Goodreads

I have always felt pressure to find good books to read because everything in life takes on more importance when I am reading a finely woven piece of literature. I don’t know that I have actually had trouble identifying good reads as much as I feel some anxiety as I approach the end of a story into which I am immersed. I don’t want to let go of the characters, and I wonder whether the next book (or any other) will be able to recreate for me that wonderful feeling of literary travel.

In graduate school, I underwent a reawakening to literature. I had eschewed literature in college, reading only those tomes that counted strictly as “philosophy.” Later, for pleasure I developed an interest in long-form journalism: non-fiction investigations like Among the Lowest of the Dead, Newjack, and All God’s Children. I would always have a book in hand and would steal reading time from the briefest of waits at the bus stop and on the bus. I used to cut the finger tips out of my gloves so that I could turn pages without letting the rest of my hand get cold.

In a moment of desperation, between trips to the Montague Bookmill, the Jeffery Amherst Bookshop, or any one of the seemingly thousands of used book stores of western Massachusetts, I picked up Sanctuary, by William Faulkner. From the heart-racing escape scenes of Sanctuary I moved to the frenetic pace of Richard Wright’s Native Son, and then discovered some lingering homesickness for the southern Appalachians through Ron Rash’s One Foot in Eden. In a few years, I kindled a nearly-burnt out passion for literature. By the time I was in graduate school, I offered to teach a course in Philosophy and Literature. And my thirst for good reads has kept me thumbing through paperbacks ever since.

But back to the problem of finding good books to read. I used to ask friends for recommendations as birthday or holiday gifts. I have postcards and scraps of paper with lists from friends; the books they recommended have been some of the most exciting stories I have loved. I still favor giving books as gifts to friends. But I also, still, feel some anxiety about finding the next book to read. I know there is more good literature out there than I will have time for over the course of my life, but I still cherish the idea that someone is helping me find something unexpectedly joyful and beautiful to be absorbed in for a time.

I am now experimenting with Goodreads, a social network based on books. If you’re a Goodreads member, please find me and share with me your recommendations.

My bookcase

The Plague
Zen and the Art of Motorcycle Maintenance: An Inquiry Into Values
Cat's Cradle
The Fall
Socrates: Ironist and Moral Philosopher
The Bridge
East of Eden
Ficciones
Civil Disobedience and Other Essays: Collected Essays of Henry David Thoreau
The Odyssey
Critique of Pure Reason
A Man Without a Country
Saints at the River: A Novel
The Climb: Tragic Ambitions on Everest
The House of the Spirits
Newjack: Guarding Sing Sing
Bowling Alone : The Collapse and Revival of American Community
The I Ching or Book of Changes
Anne Frank: The Diary of a Young Girl
Friday Night Lights: A Town, a Team, and a Dream



Phillip Barron’s favorite books »

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Sisyphus gets a desk job

Team Sisyphus member Sarah Payne shared this one with me

Source unknown

 

Digital Humanities Blog Carnival, Presidents Day edition

Welcome back to the Digital Humanities Blog Carnival. This entry comprises the second edition, the February 2011 edition. Today is Presidents Day in the United States, which means that those of us employed by state institutions of higher learning have extra time to read through the inspiring posts below. As I proposed last time, I have broken the posts into five categories: Criticism, Projects, Tools, Funding, and Calls for Support. And, just the same as last time, the blogosphere was rife with dangerous ideas and tradition-challenging practices — not surprising for “a culture that values collaboration, openness, nonhierarchical relations, and agility” as Matthew Kirschenbaum (@mkirschenbaum) describes the digital humanities in a pre-released article, penned for the Association of Departments of English and the MLA.

Please enjoy this month’s edition of the Carnival, and consider submitting something to the next edition here.

Criticism

In a post titled On Reading Like a Hawk, Matthew Gold (@mkgold) implies that Ralph Waldo Emerson might have been a digital humanist had he transcended on/in this earth a little later in time.

Jennifer Vinopal (@jvinopal) at Library Sphere reviews a panel discussion entitled Why Digital Humanities?

Nate Kreuter (@lawnsports) has a review of THATCamp VA’s “pure brainstorming & intellectual cross-pollination” at THATCampVA ’10: Postscript, and Fade into THATCampSE ’11

In Models for the Future Humanities, Whitney Trettien (@whitneytrettien) shares reflections on her experience walking through the MIT HyperStudio’s lab (and the various labs she passed on her way there), wondering how the art studio or scientists’ laboratory (or some combination of both) can serve as a model for digital humanities labs.

Projects

Resource Shelf covers an announcement entitled Digitization Projects: Technology Reunites One of World’s Largest Korans (With Images of the Digitization Process)

Erin Corley shares a post on the Archives of American Art (@ArchivesAmerArt) blog titled Artists of the Harlem Renaissance, which highlights fully digitized collections documenting African American art and artists of the 20th century. The post includes links to works by artists such as Palmer C. Hayden, William H. Johnson and Prentiss Taylor among others. Don’t miss the Jacob Lawrence Migration Series, which I was humbled to see in a traveling exhibit at Golden Belt studios in Durham, NC in 2008.

Ben Brumfield (@benwbrum) offers this reflection on the previous year — 2010: The Year of Crowdsourcing Transcription. The post highlights TranscribeBentham as well as other fascinating collaborative transcription projects.

Tools

Aditi Muralidharan (@silverasm), a fellow alum from THATCamp Bay Area, has an update on her WordSeer project, at Digital Humanities and the Future of Search.

Christopher P. Long (@cplong) of The Long Road, shares an engaging example of what digitally immersed humanities scholarship looks like on a daily basis in his post Evolving Digital Research Ecosystem.

Once again, Google has been caught red-handed stirring things up in the world of the digital humanities. Releasing a “street view” version that tours the interior spaces of some of the worlds most famous art museums, Google is challenging art historians to consider the benefits of virtual art viewing. Kyle Chayka (@chaykak) of Hyperallergic has a review at 5 Ways Google’s Art Project Bests Other Virtual Art Viewers.

Funding

Once again, funding is not only scarce, announcements re: funding are in yet shorter supply.

Calls for support

Sarah Werner (@wynkenhimself) of Wynken de Worde proposes a new panel for the 2012 MLA conference: Old Books and New Tools

Without having announced a special topic or theme ahead of time, I am reluctant to call this edition the ebook/ereader edition, so consider the following items a bonus:

The next Carnival will be hosted by Jennifer Guiliano at the Center for Digital Humanities, University of South Carolina. Submissions for the Carnival will be received here.

Finally, if anyone is interested in hosting an edition of the DHBC, please send me an email or DM on Twitter. We need hosts beginning in July.

Thank you all, and I look forward to seeing what exciting projects and thoughts you all share in the coming months.
Digital Humanities Blog Carnival, Presidents Day edition

 

What’s your plan, Sony?

Sony Electronics

What started out as a love affair with my new Sony Reader PRS-650 has turned sour.

Ebook problem

A few days ago, I turned on my reader to find that I had been locked out of the book I was reading. I posted a photo to Flickr of the Reader’s annoying “Protected by Digital Rights Management” screen, joking that my paperbacks have never given me similar trouble. The problem spontaneously resolved itself after connecting the Reader to my computer, restoring access to the book. I noticed, however, that while I could finish reading the book, the Reader had lost the bookmarks I had made up to that point.

But for the last week, I’ve been reading along engaged, learning about both the ancient Irish and what it’s like to read a book on a screen. I’ve now finished my first book on the Reader and moved on to another. I chose my first two books carefully, since I wanted to test the Reader’s highlighting and bookmarking functions. They are academic books —one in philosophy, one in history. And I highlighted each extensively, just as I would have had I been reading paper. I even used the stylus a few times to hand-write notes in the margins of the “pages.”

Last night, I set down the Reader, switching it into sleep mode, to fix a cup of tea. When I returned and switched the Reader back on, I was again presented with the blank screen of DRM annoyance. This time, reconnecting the Reader to my computer did not restore access, so I got on the phone with Sony (877-263-2863).

After spending more than an hour on the phone, with most of that time connected to a remote desktop session with a Sony employee, customer service representative Mario concluded that the problem is related to an Adobe server being down and will resolve itself in the next 2 to 3 hours when the server comes back online. It was not clear whether he means that a server Adobe manages is down or whether a server that Sony uses to manage DRM via Adobe software is down. My guess is the latter.

We did a “hard reset” of my Reader, setting it back to factory settings. He uninstalled and reinstalled the Sony Reader store and “reset my account” multiple times. After all is said and done, I am still left waiting for access to my books, and most distressingly of all, I have lost highlightings, bookmarks, and notes representing hours of reading and work.

And so, I conclude here with the same question I had for Mario-from-Sony: how does Sony plan to encourage the adoption of Readers in academic environments when the Reader can catastrophically lose hours of research and notes with no way of recovering them? Is this the kind of stability I can expect from my Reader? Had I known this, I’m not sure I would have chosen the Sony Reader.